AMEB Piano Series 16 Grade 4 Czerny Op.849 No.1 New Studies in Technics by JZ
26/30 Pass Mark 20. Full Mark 30. AMEB Piano Exam Student Video youtube.com This is a collection of my piano student videos taken just before their exams
Felix Mendelssohn | String Quartet in E flat Major, Op. 44 No. 3 (1838) - Part 1
Yellow Barn Music Festival August 4, 2010 Felix Mendelssohn | String Quartet in E flat Major, Op. 44 No. 3 (1838) Curtis Macomber, Ariana Kim, violins Maria Lambros, viola Han Bin Yoon, cello
Schumann: Quartet A minor, op 41 #1 (entire) - Flonzaley String Quartet
1. Andante Espressivo: Allegro 2. Scherzo (Presto - Intermezzo) 3. Adagio 4. Presto The Flonzaley StringQuartet was the deliberate creation of Éduard J. de Coppet of New York, who in 1902 engaged the original members to devote themselves entirely to quartet-playing, and not with any view to giving regular concerts in public. The group took its name from de Coppet's summer villa near Lausanne, in Switzerland, where the four musicians first rehearsed. After a long period of practice, the Quartet made a European tour and won high praise for the perfection of its ensemble and its artistic finish. Both violinists and the violist had been students of the Belgian maestro César Thomson. The group was first heard in New York, in private and at charity concerts, in autumn 1904, but it did not give a public concert in the USA until 5 December 1905. After that it appeared regularly in Europe and America. The members stuck to the original principle of not accepting any outside engagement, and having no pupils, and by devoting themselves entirely to the quartet maintained a position of acknowledged superiority in their field. They disbanded in 1928. Robert Alexander Schumann (1810-1856) Schumann's father was a bookseller who encouraged Robert's musical and literary talents. Robert started studying piano at age 10. In 1828, he enrolled at the University of Leipzig as a law student, although he found music, philosophy, and Leipzig's taverns more interesting than the law. He also began ...
Schumann String Quartet in A Minor (I mov.) The String Quartet "+KINISIS"
R. Schumann String Quartet in A Minor op.41 no.1 (I mov.) The String Quartet "+kinisis" Odysseas KORELIS, 1 violin Franc SHESTANI, 2 violin Ilias SDOUKOS, viola Vangjel NINA, violoncello Live at Parnassos Hall Athens, 17-12-2009
Learning to Play Guitar Online - Standard Pentatonic Scale Part 2
learn-the-guitar-online-jb.blogspot.com This is my tutorial for 3 note A minor Pentatonic Scale... I think this scale is very but very useful.... Let me know..
Franz Liszt - Hungarian Rhapsody No. 15 in A minor "Ràkòczy March"
Happy 200th Birthday to Franz Liszt! Franz Liszt (October 22, 1811 -- July 31, 1886) was a 19th-century Hungarian composer, pianist, conductor, and teacher. Liszt became renowned throughout Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. Hungarian Rhapsodies. The Hungarian Rhapsodies, S.244, R106, (French: Rhapsodies hongroises, German: Ungarische Rhapsodien, Hungarian: Magyar rapszódiák) is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846-1853, and later in 1882 and 1885. Liszt additionally arranged versions for orchestra, piano duet and piano trio. Piano: Artur Pizarro
Academy of St. Martin-in-the-Fields Orchestral Suite No. 3 in D major, BWV 1068: Air on the G string
Orchestral Suite No. 3 in D major, BWV 1068: Air on the G string composed by Johann Sebastian Bach performed by Academy of St. Martin-in-the-Fields From the album, The Most Relaxing Classical Album In The World....Ever! 1997 Label Angel RecordsMay have content that is owned or licensed by The Orchard Music. The music and image used in this fan made video, remain the property of the respectful owners. No copyright infringement intended. Uploaded for entertainment purposes only. May include content that is owned or administered by these entities: Entity: Music Publishing Rights Collecting Society Content Type: Musical Composition
Christopher Hogwood - Bach Orchestral Suite? No.3 in D major BWV 1068
Christopher Hogwood - Bach Orchestral Suite? No.3 in D major BWV 1068, Adagio. An off-beat performance with the Academy of Ancien Music and the National Tap Dance Company tapping away to the music
Prelude and Fugue No. 15 in G major, BWV 884, from Bach's WTC Bk II, Gulda pianist
Prelude and Fugue No. 15 in G major, BWV 884, from the second book of the Well-tempered Clavier by Johann Sebastian Bach. Played by Friedrich Gulda; recorded 1973, MPS-Tonstudio, Villingen, Germany.
Bach - WTC 1 - Prelude and Fugue No. 15 in G major
This is Kristian Cvetkovic playing Bach - Prelude and Fugue No. 15 in G major, BWV 860 from "The Well Tempered Clavier: Book 1" (home amateur recording). Kristian was born on 2. November 1991 in Zug, Switzerland and plays the piano since he was 5 (cvetkovic.com ).
Live from the Leacock Theatre As part of the Calgary Philharmonic's "The Mozart Festival" and the 2010/11 Wyatt Artist in Residence Concert Series at The Mount Royal Conservatory. Celebrating Mozart at age 255! Wolfgang Amadeus Mozart: String Quartet No.15 in D minor K.421 III. Menuetto and Trio. Allegretto IV. Allegretto ma non troppo SHANGHAI QUARTET Weigang Li, violin Yi-Wen Jiang, vilin Honggang, Li, viola Nicholas Tzavaras, cello Monday, November 8, 2010, 7:30pm Leacock Theatre, Mount Royal University 4825 Mount Royal Gate SW Calgary, Alberta CANADA
Live from the Leacock Theatre As part of the Calgary Philharmonic's "The Mozart Festival" and the 2010/11 Wyatt Artist in Residence Concert Series at The Mount Royal Conservatory. Celebrating Mozart at age 255! Wolfgang Amadeus Mozart: String Quartet No.15 in D minor K.421 I. Allegro moderato II. Andante SHANGHAI QUARTET Weigang Li, violin Yi-Wen Jiang, vilin Honggang, Li, viola Nicholas Tzavaras, cello Monday, November 8, 2010, 7:30pm Leacock Theatre, Mount Royal University 4825 Mount Royal Gate SW Calgary, Alberta CANADA.
JS Bach - Cantata "Es Ist Das Heil Uns Kommen Her" BWV 9 (1/2)
Cantata on Chorale Sixth Sunday after Trinity. Poet unknown. 1. Es Ist Das Heil Uns Kommen Her 2. Gott gab uns ein Gesetz at 4:44 3. Wir waren schon zu tief gesunken at 5:53 4. Doch mußte das Gesetz erfüllet werden at 9:22 Amsterdam Baroque Orchestra Ton Koopman, Director 1. Chorus (S, A, T, B) Now is to us salvation come By grace and purest favor. Our works, they help us not at all, They offer no protection. But faith shall Jesus Christ behold, Who hath enough done for us all He is our intercessor. 2. Recit. (B) God gave to us a law, but we were far too weak That we could ever hope to keep it. We followed but the call of sin, No man could be called godly; The soul remained to flesh adherent And ventured not to stand against it. We were within the law to walk And there as if within a mirror see How yet our nature was undisciplined; And just the same we clung to it. Of his own strength none had the power His sinful rudeness to abandon, E'en though he all his strength might strive to gather. 3. Aria (T) We were ere then too deeply fallen, The chasm sucked us fully down, The deep then threatened us with death, And even still in such distress There was no hand to lend us help. 4. Recit. (B) But somehow was the law to have fulfillment; And for this came to earth salvation, The Highest's Son hath it himself fulfilled And his own Father's wrath made still. Through his own guiltless dying He let us win salvation. Who now in him doth trust And on his passion build, He walketh not ...
Chopin Nocturne op. 9 no. 2 in E Flat Major - Pianist Michel Mananes CD
For better audio Chopin piano Nocturne op.9 no 2 E flat major click here: youtube.com Michel Mañanes plays Chopin piano Nocturne op.9 no 2 E flat major. Withrecitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts. Michel Mañanes has obtained, recently, the University Title of "Expert in Pianistic Interpretation", gotten with "Cum Laudae" by unanimous vote (International University of Andalusia) Chopin composed his popular Nocturne in E flat major, Op. 9, No. 2 when he was about twenty. Like much of Chopin's music, this nocturne is tinged with melancholy. This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E Flat Major opens with a legato melody containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato. A sonorous foundation for the melodic line is provided by the widely spaced notes in the accompaniment, connected by the damper pedal. The waltz like accompaniment gently emphasizes the 12/8 ...
RACHMANINOV Moment Musical op.16 No. 4-Michel Mañanes Live
For better audio, click here: youtube.com Michel Mañanes plays Rachmaninoff Moment Musical Moment op.16 No. 4.All this pieces are played in an "Antique Bösendorfer". Has won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Rachmaninov Moment Musical.Classical concert pianist. geocities.com Sergei Vasilievich Rachmaninoff[a] (Russian: ?????? ?????????? ??????????, Sergej Vasil'evi? Rakhmaninov, 1 April 1873 [OS 20 March]--28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.[1] Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead,[2] and he ...
Haskil plays Mozart Piano Concerto No. 20 in D Minor, KV 466 with Klemperer (4/4)
IIII Wolfgang Amadeus Mozart Piano Concerto No. 20 in D Minor, KV 466 III Allegro assai Piano: Clara Haskil Cond.: Otto Klemperer --- A few days after the first performance, the composer's father, Leopold, visiting in Vienna, wrote to his daughter Nannerl about her brother's recent success: [I heard] an excellent new piano concerto by Wolfgang, on which the copyist was still at work when we got there, and your brother didn't even have time to play through the rondo because he had to oversee the copying operation. It is written in the key of D minor. Other works in that key include the Requiem, a Kyrie, and the dark opera Don Giovanni. It is the first of two concertos written in a minor key (No. 24 being the other).The young Ludwig van Beethoven admired this concerto and kept it in his repertoire.[1]. Cadenzas for this popular concerto written by famous composers include Beethoven (WoO 58), Johannes Brahms (WoO 16), Johann Nepomuk Hummel, Feruccio Busoni and Clara Schumann. -Wikipedia
Haskil plays Mozart Piano Concerto No. 20 in D Minor, KV 466 with Klemperer (2/4)
II Wolfgang Amadeus Mozart Piano Concerto No. 20 in D Minor, KV 466 I. Allegro (2/2) Piano: Clara Haskil Cond.: Otto Klemperer --- A few days after the first performance, the composer's father, Leopold, visiting in Vienna, wrote to his daughter Nannerl about her brother's recent success: [I heard] an excellent new piano concerto by Wolfgang, on which the copyist was still at work when we got there, and your brother didn't even have time to play through the rondo because he had to oversee the copying operation. It is written in the key of D minor. Other works in that key include the Requiem, a Kyrie, and the dark opera Don Giovanni. It is the first of two concertos written in a minor key (No. 24 being the other).The young Ludwig van Beethoven admired this concerto and kept it in his repertoire.[1]. Cadenzas for this popular concerto written by famous composers include Beethoven (WoO 58), Johannes Brahms (WoO 16), Johann Nepomuk Hummel, Feruccio Busoni and Clara Schumann. -Wikipedia